March 2008 Subject Index Part I

Print Australia
february 2008 subject index
Lyrebyrd - How to join
Paper Research
Gosford Fringe Festival 1997
Gosford Fringe Festival 1998
Artspace 1998
'Junin Toiro' - 1999
Print Australia 1999 - 2003
Lyrebyrd 1999 - 2008
New Year Card Exchange 2000 -2007
Lyrebyrd Miniature Print Exchange #2 - SSNW03
Lyrebyrd Miniature Print Exchange #3 - SSNW04
Lyrebyrd Miniature Print Exchange #4 - Miniprint 2006
Lyrebyrd Miniature Print Exchange #5 - miniprint 2007

Adelaide Fringe 2004
Nature Print Exchange 2004
Non-Toxic Exchange 2005
Severn - Rockpool
Curator for One Day Oct 2007
Curator for One Day Nov 2007
UmbrellART - Studio One Feb 2008
Kopen & Lopen Kunstwinkel - 2008


Printmaking
Manga Mania - Frankfurt
Two in One - Miniprint Exhibition
This is not a print show - Wagga Wagga

Books
Printed - NGA
Afterall - Spring issue

Artists/Exhibitions
Fabbing - Berlin
Millais at the Van Gogh Museum
My Street, My City
Pinakothek der Moderne, München
George Baselitz
Jonathan Meese
Gosia Wlodarczak
Archibald 2008
keith-haring-lyon
Naked in the Church
Katie Holten
Machine for Living Colour - MOMA
Colour Chart - MOMA
Moran Prizes 2008
Art Machines Machine Art - Basel
ArtExpress 2008

Feminism
'If I Can't Dance...' - review
Internationale vrouwendag

Film
Kroonjuwelen - Amsterdam Graffiti Film

Graffiti
Henxs Graffiti Shop
Joram Roukes
Laser 3.14 & Jimmy Rage
Graffiti Creator
no graffiti - no website

New Media
Urban Typography
Lo-Tech VJ workshop

Resources
Lyrebyrd - How to join

Second Life
an expert's tour of second life

Theory
Gaming Politics

february 2008 subject index

Print Australia
January 2008 Subject Index
Blakkbyrd on Flickr
Kopen & Lopen Kunstwinkel
"Let it Rain" Umbrella roadshow 2007
Sacred Tree Print Exchange
Dedalo - May 2007
Projects -part 1: Print Australia Exchanges
IF I CAN’T DANCE - part 1
IF I CAN’T DANCE - part 2
Gender Studies - Feminism, Women's art

Biennales Artshows
2008 Biennale of Sydney - Online
Art Brussels 2008
5th berlin biennial for contemporary art

Theory
Writing About Art
New Graffiti offensive at Hotel Dassault
Education and the Future of The Virtual Web
Christoph Büchel & Mass MoCA

Feminism
Monique Horstmann
More Graff Gran
Female graffiti writers
Gender Studies - Feminism, Women's art
Modern Australian Women

graffiti
TRUTH
Beautiful Losers at Monster Children

film
Bomb It - trailers

games
Computer Games, Law, Regulation and Policy Symposium
Game On- Melbourne

new media
Sonic Acts XII
Sonic Acts XII exhibition
Sonic Acts Festival - Fabchannel
Workshop by Furtherfield.org
Vertigo - Montevideo
Rhizome's 2009 Commissions
Digital Art Week - Scan
Male Restroom Etiquette
Temporary Graffiti for Tribe Art Projects

artists/exhibitions
'Mr. Deeds goes to town - W139
Galerie Bart
IVES.one
lil'shy
MIKOSA #04
Grow Ups
wayne horse
Maoma Workshop
Catacomb Studio
Dan Perjovschi
Drawing - Zurich
"Let it Rain" Umbrella roadshow 2007

resources
Exhibitions in Berlin
Contemporary Art in Switzerland
The GreenGallery Guide
Advice on Art

tutorials
how to make a pen for graffiti

printmaking
Australian Travel posters 1930's - 1950's
The Beautiful Losers Portfolio
The world's most important Print Rooms
Old Master Prints Links

music
duck rock

books
An A-Z of Australian Graffiti
5 JAAR CHIELLERIE BOEK

Australia
Palm Valley

'If I Can't Dance...' - review

'If I Can't Dance...' at De Appel
Bart van der Heide
1st March 2007

Curators Frederique Bergholtz and Annie Fletcher have been exploring their desired synergy between 'celebration' and 'the ability of art to take a political and critical stance' in a series of performance projects that operate in response to Emma Goldman’s declaration, 'If I Can't Dance I Don’t Want To Be Part Of Your Revolution'.¹ Since its conception in 2005, ‘If I Can't Dance...' has managed to substantially influence the Dutch cultural landscape, avoiding the dominant vortex of temporary exhibitions and successfully reshaping conventional curatorial practice. 'If I Can't Dance...' abandons the model of brief, one-off collaborations between artist and curator in favor of a multiplicity of public and creative contexts, different in location, time and character.

After the success of Edition I, in which artists such as Johanna Billing, Gerard Byrne, Yael Davids and Matti Braun presented their work in various festival and publication formats, 'If I Can't Dance...' took up residence at De Appel in Amsterdam for the production of Edition II. De Appel, renowned for its influential support of performance and installation art in the 1970s within the European context, proved to be ideal for this event, both as partner and location.

full article
http://www.afterall.org/onlinearchive.html?online_id=12

Afterall - Spring issue

Afterall Issue 17
Spring 2008
Subscribe online at http://www.afterall.org

Essays:
Marta Kuzma on whatever happened to sex in Scandinavia
Walead Beshty on the failure of the readymade

Artists
Lutz Bacher by Lia Gangitano and Anthony Huberman
Gerard Byrne by Bettina Funcke and Maria Muhle
Hans-Peter Feldmann by Ruth Horak and Dieter Roelstraete
Bjarne Melgaard by Ina Blom and Bart De Baere

Events, Works, Exhibitions:
David Bussel on Öyvind Fahlström’s Mao-Hope March
Annie Fletcher on art and feminism
Stephan Pascher on Michael Asher’s Münster caravan project

This issue begins with Marta Kuzma’s exploration of sexual liberation movements in the 1960s in Scandinavia and the United States. Her reflections on the contradictory outcomes of these initiatives, within both cultural and social contexts, open onto a broader discussion in the rest of the journal about the legacy of the revolutionary politics of the late 1960s and 70s.

Gerard Byrne’s reworkings of 1960s utopian visions and Lutz Bacher and Hans-Peter Feldmann’s ironic and humanist appropriations of extant imagery from that time offer distinct takes on what our relationship to that period and its political project is or perhaps should be. Along similar lines, Annie Fletcher’s discussion of recent curatorial approaches to feminist art practice, Stephan Pascher’s look at Michael Asher’s Münster caravan project and David Bussel’s reconsideration of Öyvind Fahlström’s 1966 Mao-Hope March show different possible ways of relating artworks to both their specific histories, often political, and today’s circumstances.

Elsewhere in the issue, the effects of history are considered by Walead Beshty in relation to the advent of the readymade. Beshty characterises this history as that of a trap from which several artists, including Paul McCarthy and Jason Rhoades, have attempted to escape. Apparently similar at first glance, Bjarne Melgaard’s work, thanks to its distinct sensibility and intensity, appears in this issue as both a complement and a point of contrast.

Afterall journal is co-published by Central Saint Martins College of Art & Design, London and the School of Art at the California Institute of the Arts, Los Angeles, in association with MuHKA, Antwerp.

Afterall can be purchased in bookshops across the UK, Europe and America. Issue 18 will be published in June 2008.

For more information on Afterall or to subscribe, visit http://www.afterall.org

Archive of online articles
http://www.afterall.org/onlinearchive.html