Showing posts with label new media. Show all posts
Showing posts with label new media. Show all posts

13 June, 2011

Venice - Invisible Pavilion





The Invisible Pavilion | 54th International Art Exhibition | Venice Biennale

- Opening to the public: 4 June > 27 November 2011
Venice, Giardini and all over the world on the Internet

Curated by Simona Lodi and Les Liens Invisibles

The art, my friend, is flowing in the wind.

The Invisible Pavilion is a non-invitation, experimental, hallucinatory augmented reality experience that will run for the duration of the Venice Art Biennale as a squatted stage on which a performance flow of artworks will fill the whole area of the Giardini. The main purpose of the project is to fill the augmented space of the Biennale with a stream of signs and symbols, in an attempt to emphasize the ebb and flow of art production in the “always-on” age.

Anyone with a smart-phone (iPhone or any other Android-based phone and Layar) will be able to move around the traditional pavilions in the Giardini area of the Biennale and see, through their phone screens, another immaterial/invisible exhibition.

For the entire length of the Venice Art Biennale (June–November 2011) a group of selected international artists have been invited to give their personal contribution to the project, by performing/posting multimedia pieces that should somehow reinterpret the public space of the Biennale and its symbolic aura in the field of contemporary art. The artworks will also be visible on the Internet, on the Invisible Pavilion website.

As Simona Lodi says in the curatorial text, “The Invisible Pavilion is a hallucinatory experience of rewriting the world, an encouragement to increase the whirl and flow of information on invisible r/Reality. The Invisible Pavilion contains a r/Reality that is open and spontaneous, drawn and analysed from shared data. The double r reflects its double connotation—the lower case r refers to the everyday reality that we all know; the upper case R to a proprietary name, the augmented Reality that is produced.“

Participating Artists



Links and References

www.theinvisiblepavilion.com


Download Hi-res pictures
http://goo.gl/am34H

In cooperation with Manifest.AR International Cyberartist Group

BIO

Simona Lodi, art critic and curator, lives in Turin. Since 1993 she has been a contributor to various leading contemporary art journals. Simona's professional career spans New York, London and Turin—a city that has embraced the world of new technology and communication. It is in this context that the Share Festival–Art in the Digital Age, of which Simona is founder and Art Director, has found fertile ground to grow and develop.

Les Liens Invisibles is an Italian-based duo of internet artists, Clemente Pestelli and Gionatan Quintini. Most of their artworks—which include an online viral mass suicide performance, an hallucinatory petition service and a series of other works staged on popular social media platforms—have been exhibited internationally in galleries, museums (MAXXI Rome, New School of New York, KUMU Art Museum of Talinn) and international media art festivals (SHARE, Transmediale). Les Liens Invisibles recently received an honorary distinction at the Transmediale Media Art Festival (2011).

Les Liens Invisibles
www.lesliensinvisibles.org

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I would normally post about new media arts on Blakkbyrd but as this is at Venice, its included here. (ed)


13 May, 2011

River of Wisdom

In the Shanghai World Expo 2010, the "Animated Version of the Riverside Scene at Qingming Festival" created by modern multimedia technology earns its reputation as the star exhibit in the China Pavilion. 

Projected on a giant screen of more than 120 metres long and 6 metres high, the picture shows its details with animation including moving people, running water, various kinds of goods being displayed for sale, boat trackers shouting on the river and boats swinging their ways forward. A vivid, artificial river meanders through the lower part of the giant picture, giving visitors a stunning experience and an illusion that they are staying in Bianjing, the capital of Northern Song Dynasty nine hundred years ago. This giant picture is called "River of Wisdom" because it depicts many cultural aspects demonstrating the wisdom of Chinese in ancient times.

The animated version of the picture is 30 times of its original scroll. Elaborate computer animation gives life to characters and objects in the painting. An integrated image is formed by several high resolution projectors using sophisticated computer geometric transformation and correction technology. The entire features of the original painting including all its streets, boats and buildings are retained in the animation. The scene is portrayed in day to night cycles lasting for four minutes with dramatic interplay of light and colour. It is indeed a masterpiece that blends state-of-the-art animation technology with traditional Chinese culture.


Zhang Zeduan's "Riverside Scene at Qingming Festival" is beyond doubt among the top ten most famous Chinese historical paintings. Besides its extremely high artistic value, this picture possesses, more importantly, tremendous historic value due to its vivid depiction of the civilian life of different social classes in Bianjing and in the suburbs during the Qingming Festival. It provides important historical information for those studying the urban life in the Song Dynasty and opens one more window for the moderns endeavouring to understand the ancient Chinese culture.


15 March, 2011

The Future of Art


The Future of Art from KS12 on Vimeo.



The Future of Art
an immediated autodocumentary

What are the defining aesthetics of art in the networked era? How is mass collaboration changing notions of ownership in art? How does micropatronage change the way artists produce and distribute artwork? The Future of Art begins a conversation on these topics and invites your participation. (twitter hashtag: #futureofart)

This video was shot, edited and screened at the Transmediale festival 2011 in Berlin, Germany.

more info
http://vimeo.com/19670849


28 September, 2009

CHart - UK

Welcome to CHArt's web site. CHArt was established in 1985 by art and design historians who happened also to be computer enthusiasts. Initially a forum for the exchange of ideas between people who were using computers in their research, the largely academic membership was soon augmented by members from museums and art galleries, as well as individuals involved in the management of the visual and textual archives and libraries relevant to the subject.

CHArt is a society open to all who have an interest in the application of computers to the study of art and design. We hold an annual conference and publish the conference proceedings, run an email discussion list and keep in contact with our members through a newsletter. CHArt also sponsors the World Wide Web Virtual Library for History of Art. You will find further details of all our publications and activities on this web site.

http://www.chart.ac.uk/

==================


CHArt's annual conferences - read abstracts of papers from our recent conferences.

CHArt's email discussion list (Joining instructions & message archives)

Electronic CHArt: Teaching, Images, Internet - CHArt's first online project.

The World Wide Web Virtual Library: History of Art

05 June, 2009

Blurb at Picnic 08





Eileen Gittens, founder and CEO of Blurb, has built a creative publishing platform that makes it easy for anyone to design, publish, share and sell real, bookstore-quality books

http://www.picnicnetwork.org/page/22482/en


======
This is from the video archive of Picnic 08.

See conference videos
Picnic 07

Picnic 08


Look for Picnic 09 on Blakkbyrd

31 May, 2009

This is not art festival





Set in the gritty streets of Newcastle and dubbed as the best independent, emerging and experimental arts festival in Australia. Jam packed with gigs, performances, panels, exhibitions, workshops and just plain fun. Do you dare to venture?...

This is Not Art - Newcastle October 2008
http://www.youtube.com/watch?v=vgV-UTFUFT8

Preparations for 2009 are well underway

1 - 5 October 2009

Official Website
http://www.thisisnotart.org/



30 May, 2009

Smart Light Sydney




Sydney will light up with an array of dynamic light sculptures as part of the Light Walk, a free pedestrian route around the city's harbour precinct every night from 26 May to 14 June 2009 (6pm till midnight).

The main component of Smart Light Sydney, the walk will be self-guided from Observatory Hill through The Rocks, around Circular Quay to Sydney Opera House. View the interactive Smart Light Map.

full info
http://www.smartlightsydney.com/light-walk/


12 May, 2009

Art in Second Life



What is Second Life?



http://www.youtube.com/watch?v=Bt8L2hr-m4I&feature=channel

Artist Interviews



Interview with a highly successful Second Life artist, Cheen Pitney. Cheen's sculptures are found all over Second Life - in this video, we follow their trail, explore this extraordinary work and discover different aspects of Second Life on the way.

(World descending a staircase)

http://www.youtube.com/watch?v=_T7YFDEEbrU





Presents the work of a talented Second Life sculptor - Rezago Kokorin...also showcases the use of simple building and scripting tools from SL to produce remarkably effective sculptures.

http://www.youtube.com/watch?v=xPPQ0AlmO2Q




A highly prolific kinetic sculptor in Second Life. elros' work has quickly gained a sizeable following for its beauty, grace and poetry, and this interview presents an opportunity to get to know the artist better.

http://www.youtube.com/watch?v=LWjUrflZb10


more videos from Magellan Egoyan
http://www.youtube.com/user/mageEgo


09 May, 2009

Wafaa Bilal

Wafaa Bilal, artist (IQ/US)

Bilal grew up under the repression and violence of the Baathist regime in Iraq and considers himself a political artist, dealing with war and oppression, and the Iraqi experience. Bilal's 2007 dynamic installation ‘Domestic Tension’ placed him on the receiving end of a paintball gun that was accessible online to a worldwide audience, 24 hours a day. Newsweek called the project “breathtaking” and the Chicago Tribune called the month-long piece 'one of the sharpest works of political art to be seen in a long time.' He is assistant professor at the Tisch School of the Arts at New York University.
www.wafaabilal.com


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Domestic Tension
Wafaa's Video blog during the project
click here to view

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Virtual Jihadi

In the widely marketed video game Quest for Saddam, players fight stereotypical Iraqi foes and try to kill Saddam. Al Qaeda did its own take, creating an online video game using the structure of Quest for Saddam but adding a new "skin" to turn the game into a hunt for Bush: "The Night of Bush Capturing." Now artist Wafaa Bilal has hacked the Al Qaeda version of the game to put his own more nuanced spin on this epic conflict.

http://www.wafaabilal.com/html/virtualJ.html

Apparently the exhibition was closed down and interestingly some of the videos appear to have been taken down also


28 April, 2009

Anne Landa Award 2009

Double Take
Anne Landa Award for Video and New Media Arts 2009
7 May - 19 July 2009

This exhibition includes video, interactive robotics and digital photography.

The Anne Landa Award is the first biennial exhibition in Australia for moving image and new media work with an acquisitive award of 25,000 USD. The award was established in honour of Anne Landa, a Trustee of the Art Gallery of NSW who died in 2002. The acquisitive part of the award applies to Australian resident artists only.

A fully illustrated catalogue is available with essays by Catherine Fowler, Hou Hanru, Geraldine Barlow, Glenn Phillips, Andrew Clifford and Anne-Marie Duguet

See artist interview videos:
http://www.artgallery.nsw.gov.au/doubletake


04 January, 2009

Interviewing the Crisis

*Interviewing the Crisis*

a series of interviews and articles on the financial crisis and on its impact on art, with specific focus on the innovative practices through which people, communities and organizations around the world are starting to confront the changing scenario through technology, innovation, collaboration and activism.

browse here for a short review:
http://www.artisopensource.net/2008/12/26/interviewing-the-financial-crisis/

the articles will be progressively found on ArtsBlog.it
Already published:
- an Introduction to the project
http://www.artsblog.it/post/2749/trilogy-of-crisis-intervistando-la-crisi-unintroduzione

- interviewing the crisis part 1: Helen Thorington e Jo-Anne Green @
turbulence.org
http://www.artsblog.it/post/2748/intervistando-la-crisi-helen-thorington-e-jo-anne-green-di-turbulenceorg-part-1

please spread and participate

best,
xDxD.vs.xDxD
http://www.artisopensource.net


22 December, 2008

RealTime Arts

RealTime is Australia's critical guide to international contemporary arts. Our focus is on innovation in performance (live art, experimental theatre, dance, music, sound), photomedia, film, video, interactive media and hybrid arts.

The RealTime website offers a comprehensive view of Australian contemporary art with an international perspective, combining the current print edition of RealTime, online exclusives and updates; the RealTime archive (currently under development); new works on show in our studio; featured events (forums, festivals) and arts issues; and a portal that will guide you to the best sites in innovative contemporary art.

http://www.realtimearts.net/

13 December, 2008

ANAT - Australian Network for Art and Technology

Australian Network for Art and Technology
  • generating new creativities
  • bridging art, science & technology
  • enriching culture & industry

ANAT is Australia's leading cultural organisation working at the intersection of art, science & technology; networked & emergent art practices; experimental music & sound arts; and mobile & portable platforms.

Operating nationally and globally for two decades, ANAT has been delivering initiatives which enable connection, collaboration, research and development, fostering enterprise, sustainability, dialogue and exchange across art, culture, science and technology.

By creating opportunities for enrichment & inspiration, ANAT supports emerging and established artists in the fields of media and hybrid arts, networked and distributed practices, sound and performance to develop new concepts and work. The majority of Australia’s prominent media artists, curators and producers have benefited from ANAT’s innovative programs.

http://www.anat.org.au/

21 June, 2008

From Fluxus to Media Art

From Fluxus to Media Art
Maya Stendhal Gallery
March 6 - May 24, 2008
Opening Reception: Thursday, March 6, 6-8pm


Maya Stendhal Gallery is pleased to present From Fluxus to Media Art, a special selection of artists working in a range of media including film, video, sculpture, conceptual performance, and digital technologies. On view will be work by Jonas Mekas, George Maciunas, Fluxus, George Brecht, Andy Warhol, Nam June Paik, Shigeko Kubota, and Studio IMC.

The exhibition offers a wider view of the history of media art, exploring many of its defining attributes in the pioneering practices of artists during the 1960’s. This time observed a radical shift when artists, strongly influenced by the anti-art practices and objects of Marcel Duchamp and Dada and theories of Surrealism, challenged established modes of value and interpretation. Critical artworks and films in combination with rare and original archival material shed new light on the interrelated, avant-garde activities of various artists whose sensibilities to new technologies of their time and multi-media foundations expanded the scope of artistic practice for later artists. Highlights include the international Fluxus art movement of the 1960’s comprised of artists who, through shared interdisciplinary interests, collectively explored the creative possibilities that occur between genres including art, performance, literature, non-narrative film, and music. Also featured will be Fluxus contemporaries Jonas Mekas and Andy Warhol whose unconventional approaches to filmmaking helped established film as an art form.

As early as the 1950’s, leading avant-garde filmmaker Jonas Mekas was experimenting with new technologies, developing his signature diaristic approach and in-camera style of editing. Nearly 60 years later, he continues to be at the helm of digital innovation with his website www.jonasmekas.com. The website witnessed Mekas’ relentless commitment to the art of film through his ambitious 365 film project. Drawing from old and recent footage, he released one film each day throughout 2007. For the exhibition, Mekas personally selected films from this collection capturing the creative impulses and interdisciplinary interests of key Fluxus members with appearances by its charismatic Chairman and Impresario George Maciunas, Shigeko Kubota, Nam June Paik, Ben Vautier, as well as Andy Warhol.

full media release
http://www.mayastendhalgallery.com/fluxus_to_media-press_release.html

http://www.mayastendhalgallery.com/


exhibition website
http://www.mayastendhalgallery.com/fluxus_to_media-page.html

=================


James Kalm drops in for a viewing of artifacts and documents that cover nearly a half century of developments that began with the meeting of Jonas Mekas and George Maciunas in 1955. Evolving from the anti-aesthetics of Dada and Marcel Duchamp, Fluxus came of age during a period that encompassed radical technological and social change. Features works by Andy Warhol, Jonas Mekas, George Maciunas, George Brecht, Nam June Paik, Shigeko Kubota and Studio IMC with an in-depth interview with Jonas Mekas

http://video.yahoo.com/watch/2242388

============
http://video.yahoo.com/people/633034

more James Kalm videos

27 May, 2008

the new normal

Welcome to the home page for THE NEW NORMAL, a traveling exhibition co-organized by iCI and Artists Space. It features thirteen recent artworks that use private information as raw material and subject matter.

From here you can see pictures from the exhibition, browse links to artists' and other related sites, watch videos pertaining to the show, read curator Michael Connor's blog, or be friends with us on MySpace and Facebook.

You can also order the catalogue, which features essays by Michael Connor, Clay Shirky and Marisa Olson.

April 25 - June 21, 2008 NY

http://the-new-normal.net/

09 April, 2008

Digital art and curating

Digital art and curating; 8 April – 21 April 2008

Axis has teamed up with students from Kingston University’s MA in Curating Contemporary Design and four professionals in the field of digital art to explore the challenges and opportunities posed by curating digital today.

Drawing on the wide and diverse expertise of the students and guest contributors, this forum will generate debate and discussion on new challenges, current approaches and questions raised by the ever-changing and expanding medium of the digital.

http://www.axisweb.org/usForum.aspx?FID=8

02 March, 2008

Fabbing - Berlin







Beyond the Screen, the current exhibition at Gallery [DAM] Berlin, offers an insight into the world of “fabbing” - digital fabrication. Fabbing allows for the production of structures and surfaces exceeding the limits of digital mass production. By using specific software to control these tools, artists and designers are able to realize unimaginable complex objects. Beyond the Screen shows artwork based on this new technology by CommonwealthLeander Herzog (CH), Jared Tarbell (US), Theverymany (US), Marius Watz (NO) and participatns of the Generator.x 2.0 workshop in cooperation with club transmediale and Marius Watz. Impressions from the opening reception, February 2, 2008. By VTV correspondent Lizza May David.
(US),

> Right-click (Mac: ctrl-click) this link to download Quicktime video file.
> Click this link to watch Quicktime video in new movie window.

From Vernissage tv
http://vernissage.tv/blog/

12 November, 2007

the blog as art

art + blog = blogart?

The show a+b=ba? makes the attempt to present a variety of different aspects of how artists use a “blog” for artistic purposes, and it is up to the user to find out how to estimate it.

It remains an attempt and even rather an experiment, since the purpose of a “blog” as a new form of an artwork is, once initiated, to be ongoing, to be run as an ongoing process, which may be temporarily limited or even have an open undefined end.

Depending on the artistic conception, the artist himself does in many cases not know, where this process is leading to. What is visually perceivable to a user or viewer can be always just the snapshot of the very moment, but it does sometimes not even give an idea of what is happening next. Since a “blog” allows different types of authorships, often the artist remains actually just in the position of initiating a process.

As a collaborative work, a “blog” may even have developments on different levels of time, users and perception, and in this way, as an artistic manifestation it can be also seen as a new form of Internet based art, a consequent further development to an artwork which does not need and is not based on an expressively defined authorship.

http://www.javamuseum.org/blog/?page_id=41

Enter the showcase here