10 March, 2011

"A child could do it."

Research by Angelina Hawley-Dolan and Ellen Winner, of the Psychology Department at Boston College, suggests that even the untrained eye can distinguish between paintings by abstract expressionists and similar works thrown to canvas by monkeys, elephants and children.

...

So how do we identify artists as professional, when both the monkey and the professional have delivered something that looks like scribbles on a page?

“When talking about judgment, when they were looking at the professional images, both the psychology and art students talked more about intention, like ‘this brush stroke looks more planned’,” says Hawley-Dolan. “They would talk about colours and how the maker planned the colours. They made reference to . . . seeing the mind behind the art.”

The study suggests that what sets a professional painter apart from an animal or a child is the viewers’ ability to see the thought that went into the painting. But that doesn’t mean we prefer it.

full story here

http://www.thestar.com/news/world/article/950518--how-to-tell-a-masterpiece-from-a-painting-by-a-monkey?bn=1


08 March, 2011

Arts Law: Stolen Art




The Rutgers Law-Newark Art Law Society and the Institute for Professional Education Presents Stolen Art: Litigating Holocaust-era Expropriation Claims by Raymond Dowd, Esquire. This event was moderated by prof. Carol Roehrenbeck


continues here:
http://lawevents.rutgers.edu/events/artlaw11/

for some reason the embed code isnt working - follow the link to watch the video - ed


18 January, 2011

Art International Radio

AIR, Art International Radio and The Clocktower Gallery are a non-profit Internet radio station, art exhibition and performance space, free online cultural archive and media arts center.

Producing over 500 new radio shows annually, AIR features a diverse range of programming from audio art to interviews and from music to spoken word and radio theater. AIR's Clocktower Gallery is host to a number of exhibitions, installations, artist residencies and residency programs each year.

AIR’s audio archive also features historic recordings including audio from the collection of Charles Ruas as well as exhibition documentation and public programs from major institutions such as the Museum of Modern Art and the New York Public Library. With projects such as Living History and The Clocktower Oral History Project, the AIR Audio Archives continues its reputation as a unique cultural resource, educational tool, and historic anthology of audio recordings.

Our website, www.ARTonAIR.org, provides open and universal access to our programs and archives with information and links for every audio recording.

Through shared resources, conferences, discussions, outreach, and collaborative projects, AIR and The Clocktower Gallery are committed to engaging and supporting the arts community both in New York City and around the world.

http://www.artonair.org