Together with Rauschenberg and several Abstract Expressionist painters of the previous generation, Jackson Pollock, Willem de Kooning, and Barnett Newman, Johns is one of most significant and influential American painters of the twentieth century. He also ranks with Dürer, Rembrandt, Goya, Munch, and Picasso as one of the greatest printmakers of any era. In addition, he makes many drawings—unique works on paper, usually based on a painting he has previously painted—and he has created an unusual body of sculptural objects.
more info from the Met Museum
About from PBS American Masters
James Kalm endures drenching rain to bring viewers a brief glimpse of "Jasper Johns Drawings 1997-2007". As perhaps the most recognized living American artist, every aspect of his enigmatic work is unique and engaging. Since his emergence in the late 1950s he has maintained a prolific practice of drawing, using unusual technique and materials to both develop new ideas and reexamine old ones. This show, which piggy-backs "Gray" at the Metropolitan Museum, is an opportunity to see the developments of Johns' current thinking.
James Kalm accompanies viewers through an historic retrospective exhibition of paintings by Jasper Johns. Gray, perhaps the most ubiquitous and miss perceived of all colors is the theme of this major presentation. Johns has exploited the coloristic and metaphoric potentials of this tone since he emergence as one of America's most recognizable talents. Covering nearly fifty years of painting "Gray" was organized by the Art Institute of Chicago, and sponsored by an award from the National Endowment for the Arts.
James Kalm reports on Jasper Johns An Allegory of Painting, 1955-1965 at the National Gallery of Art. In this exclusive report Kalm brings you footage of this exhibition by America's greatest living painter.
News 12th May 2010
A celebrated painting by Jasper Johns which hung for most of its life in the bedroom of writer Michael Crichton has fetched nearly $29 million (£19.5m) at auction, a record for the artist.