22 May, 2012

The Printed Image in China

Clarissa von Spee, curator, Chinese and Central Asian collections, Department of Asia, The British Museum

Delve into the history of printing and papermaking—invented in China centuries before it was known in Europe—and gain further insight into The Printed Image in China, 8th--21st Century, an exhibition presenting over 130 Chinese prints from the British Museum's comprehensive collection. Works discussed include Buddhist prints from the Silk Road, colorful images used in folk rituals and festivals, imperial engravings, antiwar images from the Modern Woodcut Movement, and internationally acclaimed contemporary prints.

The Printed Image in China, 8th--21st Century
May 5--July 29, 2012 at The Metropolitan Museum of Art

The exhibition was organized by the British Museum with the support of the American Friends of the British Museum.




According to current scholarship, printing on paper was invented in China about 700 A.D., making China the country with the longest history of printing in the world.

16 April, 2012

Modern Art


Modern Art - A Complete Guide 1974
Narrated by Orsen Welles
With cameos from Robert Hughes, Peggy Guggenheim, Suzi Gablik and numerous artists of the moderns. Imaginative music score. Though now dated, this documentary is not to be missed.
1hr 40mins



http://www.youtube.com/watch?v=Uz0tJKRfaoA&feature=related


15 April, 2012

Art Market Documentary

From the BBC, this documentary explores the world of the art market with particular reference to recent activity. It covers price manipulation and other tactics. Featuring Damien Hirst, Sotherbys, White Cube and other major players.

"The Great Contemporary Art Bubble" in seven parts






08 April, 2012

Returning Stolen Art


Loot: Stolen Treasurers of the Ancient World

December 3, 2008

Sharon Waxman writer
Sharon Waxman discusses questions of ownership of cultural objects and reads from new her book, Loot: Stolen Treasures of the Ancient World.
Why are the Elgin Marbles in London and not on the Acropolis? If such stunning art objects have admittedly come to Western museums through the heavy hand of 19th century cultural exploitation, do these museums have an ethical responsibility to return them? What if such return harmed these objects because their home country is too poor to maintain, house and protect? What ethical standards should Western museums follow when they obtain art objects from Third World countries? Sharon Waxman addresses these questions and presents her book, Loot: Stolen Treasures of the Ancient World.

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http://forum-network.org/lecture/loot-stolen-treasurers-ancient-world