30 October, 2007

Batavia




On the occasion of the celebration of "Netherlands - Australia 1606 - 2006" the KB presents here the complete digital facsimiles of five early Dutch books on the exploration of Australia.

Pelsaert, Batavia, 1629


Ongeluckige voyagie, van't schip Batavia, nae de Oost-Indien [...]. Vytgevaren onder den E. Francoys Pelsert. Amsterdam: J. Jansz., 1647.
Full text | Full text translation (PDF) | Learn more

http://www.kb.nl/galerie/australie/blader-en.html


This CD-rom presents facsimiles from five early Dutch books on the exploration of Australia. Each of the texts represents a different way of editing and publishing travel stories. In the Dutch Republic of the 17th century there was a great interest in the travelogues of the ships that had made the long voyage to the East Indies and even further. Merchants were constantly looking for profitable investments. Scholars were fascinated by the descriptions of strange animals and peoples. Cartographers were eagerly waiting for more details on far away shores and islands. And the general public was fond of the sensational stories about shipwrecks, mutinies and the like. As literacy was wide-spread, there was a large audience and many itineraries, land descriptions, atlases and the like were printed and reprinted over and over.

The descriptions of the five books presented here were taken from the Short-Title Catalogue, Netherlands.

Ongeluckige voyagie, van't schip Batavia nae de Oost-Indien [...]. Vytgevaren onder den E. Francoys Pelsert. Amsterdam: J. Jansz., 1647.
A typical example of a cheap publication for a wide audience. The catastrophe on the Houtman Abrolhos, where the voyage of the proud Batavia ended in shipwreck, mutiny and slaughter, has been reprinted many times. This is the rare first edition, published by the renowned bookseller Johannes Janssonius. Six pages of engraved illustrations add to the dramatic story.
Learn more





History of the Batavia
http://www.bataviawerf.nl/en/batavia_geschiedenis.html




On October 28 1628 the VOC East Indiamen ship Batavia sailed from Texel, in the North of the Netherlands, on her maiden journey to Batavia (now Jakarta, Indonesia). Seven other ships of various sizes accompanied her.

In the early hours of 4 June 1629 the Dutch East India Company ship Batavia, with 316 people on board, was wrecked on Morning Reef in the Wallabi Group of the Abrolhos Islands just 60 km off the coast of Geraldton, Western Australia.

What followed was the most horrific mutiny in the annals of maritime history with the systematic torture, rape and murder of 125 shipwreck survivors at the hand of a religious fanatic - one of the ship's senior officers - and his followers.

http://www.voc.iinet.net.au/batavia.html





The reconstructed section of the VOC (United Dutch East India Company) ship Batavia is on display in the Batavia Gallery at the Shipwreck Galleries, Western Australian Maritime Museum, Fremantle.

http://www.museum.wa.gov.au/









28 October, 2007

Joseph Cornell

Joseph Cornell: Navigating the Imagination
Saturday, October 06, 2007 - Sunday, January 06, 2008

A self-taught artist, Joseph Cornell relied almost exclusively on found materials. He collected items from books, newspapers, second-hand stores, exploratory walks — even sweepings from his studio floor — to create intricate, elaborate box constructions and collages. These enchanting works of art transformed commonplace objects into extraordinary and magical dreamscapes, earning him immediate and enduring respect as a sort of artistic alchemist.

Joseph Cornell: Navigating the Imagination brings together nearly 200 works dating from the 1930s until the artist's death in 1972, offering the first comprehensive retrospective of his work in a quarter century at its only West Coast venue.

http://www.sfmoma.org/exhibitions/exhib_detail.asp?id=264



Joseph Cornell: Navigating the Imagination, developed by the Peabody Essex Museum, is available from any computer with Internet access. This dynamic program presents an overview of the themes highlighted in the current exhibition, a close look at key works of art, and excerpts from Cornell's private journals.



virtual museums

What is a virtual museum? A virtual museum can be defined as an interactive virtual space that provides information and exhibits cultural objects in digital format. Virtual museums vary in their degree of virtuality, depending on the type of cultural objects they exhibit. While many virtual museums show digital copies of real works of art (that is, reproductions of artworks that exist in the physical world), some virtual museums display artworks that are created in cyberspace and have no physical embodiment (e.g., net art, digital photography).

Due to its low cost and simple organization, the virtual museum has been in many cases a means of creating museums that cannot exist in the physical world. While some virtual museums constitute reproductions of existing museums (e.g., the web sites of

the Museé Louvre in Paris,

the Metropolitan Museum of Art in New York City, and

the Museo del Prado in Madrid),

many virtual museums exist exclusively in cyberspace and have no physical counterpart in the real world (e.g.,

Museo Virtual de Artes El País (MUVA) of Uruguay,

the Web Museum of Paris, and

the Museo Virtual del Surrealismo).

These virtual museums have made possible the collection of artworks that belong to numerous galleries and museums around the world. For instance, there are virtual museums that exhibit national collections that would be impossible to display in a real museum or gallery due to legal and economic factors. (For example, the Museo Imaginado of Spain displays digital copies of Spanish paintings that belong to collections outside of Spain.)

http://crossings.tcd.ie/issues/5.1/Moreno/