28 November, 2005

LSD blotter art


Blotter Art is a term that originally referred to the absorbant paper that liquid LSD was sometimes dropped onto. Artwork was printed onto "blotter" paper and then perforated into tiny squares or "hits," which could be torn apart into easy to manage quantities.

Forms of LSD Pills

In the 1960s, when LSD was legal, it was distributed in large pills, sometimes called "barrels" because of their shape. It was also sold on anything from sugar cubes to animal crackers. Dealers began to want their "batch" of LSD to be recognizable from the others, so they began to invent ways to trademark their acid. The chemists would make the pills a certain shape or color as to set them apart from others, especially if they were packaging particularly potent dosages. This also served as a form of a validation of authenticity, proving that the dealers were not selling fake LSD. As a bonus, the dealers would get a kick out of the buzz created by their "brand" of acid. Sometime after LSD became illegal, mandatory minimum sentencing was set into place. These laws placed mandatory sentences on drug offenders based on the weight of the substances with which they were caught. Therefore a drug dealer busted with one dose of acid on a sugar cube that weighed 1 gram would get the same sentence as a dealer caught with 1 gram of LSD crystal, which would represent about 10,000 doses of LSD! It didn't take a genius to figure out that a new, lightweight, medium for distributing LSD was needed.

In comes Blotter Art:
The foremost Blotter Art historian, Mark McCloud, suggests that after Owsley Stanley's pill press was busted, that Blotter Acid began to make its way on to the streets, replacing the pills as the standardized medium. Shortly after, iconic images began to make their way onto Blotter Paper, which allowed dealers to easily put their own logo on the acid they were selling. The logo could have been professionally printed or have been a rubber stamp of some image that further served as an underground trademark. Not only did this serve to identify a brand of acid, but by using Blotter Paper, which weighed far less than other mediums, it kept drug dealers who got busted from getting as much mandatory time.

Today, the term "Blotter Art" takes on a whole new meaning. Now, Blotter Art refers to a highly collectable form of artwork. It steals its popularity from the visual similarities it shares with its' once prolific chemical-soaked cousin. Blotter Art has transcended the underground drug market and is available to art lovers worldwide. It is not illegal, it is ART! It celebrates the days gone by when we were young and our minds were blooming. Now we no longer have to use an illegal substance to take a "trip," even if it is down memory lane.

More Blotter Art Sites »
Tripatourium aka Blotter Sheets now.
Blotter Sheets
Blast
Stevee

reblogged from easybakecoven


image
The Timothy Leary Rainbow design contains smaller images from the "Leary Profile" blotter. This blotter measures 7.5 in. by 7.5 in. or 30 squares by 30 squares. That makes a total of 900, 1/4 in. squares.

27 November, 2005

on postcard art

"postcards are so last century"

from the guardian

Art-lovers and bargain-hunters were out in force in Kensington this morning as the Royal College of Art opened its annual “secret” postcard exhibition, offering the chance to snap up works by the likes of transvestite potter Grayson Perry and photographer David Bailey for just £35 a piece, writes David Batty.

This year there are a record 2,700 cards available, submitted by big-name artists and art students alike – but you only find out whose card is who's when you’ve bought them and can see the artist’s signature revealed on the back.

Lucky buyers so far include Carlito Briones, a 52-year-old currency trader from Balham, south London, who bought two Damien Hirsts, and a 50-year-old retired engineer called Austin who snapped up cards by Paula Rego and Julian Opie.

But after 12 years the exhibition has got a bit tired. After all, postcards are so last century. And with art nerds bringing along their cronies to snap up as many works by famous names as possible, it’s time for something a bit more challenging.

So how about a guess the sheets competition, where you have to pick which dirty linen was stripped off Tracey Emin’s infamous bed? Or let’s see whether you can tell a transcript of Fiona Banner’s Turner Prize-nominated Arsewoman in Wonderland from Alistair Campbell’s erotica or extracts from Black Lace books.

But perhaps the ultimate challenge would be the Kim Howells’ lucky dip, in honour of the former culture minister who labelled the Turner prize as "conceptual bullshit", where you have to find a Manzoni in a stack of unlabelled tin cans.



city of perth award




The City of Perth is proud to announce the launch of the City of Perth Art Award. This new biennial award, open to national entrants, presents cutting-edge works exhibited for the first time. The City of Perth is offering a first prize of $20,000 for the acquisitive Award for Excellence and a $5,000 Commendation Award. Twenty seven Australian artists have been invited to exhibit innovative works in the field of 2-D contemporary art.

A distinguished panel of arts professionals selected thirty of Australia's most significant professional and emerging artists to create new works for the Award. The selection panel was comprised of Rachel Kent (Senior Curator from the Museum of Contemporary Arts), Jenepher Duncan (Curator Contemporary Arts Art Gallery of Western Australia) and Professor Ted Snell (Director of the John Curtin Art Gallery and Curtin University School of Art).

The winner will be announced at the opening of the exhibition at 6pm on Wednesday 23 November 2005. The winning artwork will become part of the City of Perth art collection.

Jazmina Cininas, Simon Cuthbert, Domenico de Clario, Neil Haddon, Petrina Hicks, Bevan Honey, Anna Hoyle, Megan Keating, Mart Lebedev, Nicola Loder, Anne MacDonald, Clare McFarlane, Gina Moore, Frank Morris, Tom Mùller, Louise Paramor, Shane Pickett, Trevor Richards, Kevin Robertson, Helen Smith, Joan Nancy Stokes, Holly Story, Justin Trendall, Paul Uhlmann, Joshua Webb, Gosia Wlodarczak, Jurek Wybraniec

artist images here


opening: Wednesday 23 November, 6pm
24 November - 18 December, 2005
Perth Institute of Contemporary Arts (PICA)
51 James St, Perth Cultural Centre. (08) 9227 6144
Free Admission - Tuesday - Sunday 11am-6pm
http://www.pica.org.au/art05/PerthArtAward05.html


and the winners are



2005 City of Perth Award for Excellence

Paul Uhlmann - (Breathless)


2005 City of Perth Commendation Award
Joan Nancy Stokes - The Overseer and the Black Stockman





microlithography

Biologists say they have created a "living photographic film" from engineered intestinal bacteria, which is capable of taking high-resolution black-and-white pictures.

In a study published in British science weekly Nature today, a US team has extracted a light-sensing gene from a germ called a cyanobacterium to make the film.

They have stitched it into the cell membranes of Escherichia coli (E coli) bacteria so exposure to red light switches off a gene that controls the production of the bug's black pigment.

As a result, black-and-white images can be "stencilled" onto a mat of the engineered bacteria grown on a plate of protein-rich lab gel.

The resolution and tone scale are extraordinarily good because the screen's definition is on bacterial scale, at up to 100 million pixels per square inch.

The authors from the University of California say their invention could spur "bacterial microlithography" and the creation of new materials made from living organisms.

They say their study could also help unlock fundamental knowledge about how bacteria use gene switches to send signals to each other. abc